Perry Wolff

Aug 282016
 
Shop area, Heerlen, 1945

Shop area, Heerlen, 1945

It took more than a month to get the Germans out of the bulge.

Because General Bradley had guessed wrong and chose ammunition before winter wear, our boots were inadequate. Special units like the paratroopers had waterproof footwear, but our standard GI shoes were porous. A frostbite deadened two toes and the bottom of my soles for the rest of my life.  Standing in a damp foxhole for days led to a more dangerous condition called trench foot: first the skin turns blue, and then becomes mottled like marble. Left untreated, the flesh rots away.

To avoid wet feet I tied two pairs of socks together and hung them around my neck. Whenever I could I changed. Body heat would help, but by spreading the socks over a heated empty helmet I could dry them.

A soldier’s helmet was his cooking pot. A small fire under an overturned steel hat could heat water and rations. The blaze burned off the paint.  The underlying blue steel was exposed with a black carbon overlay.

There have been a number of movies about the Battle of the Bulge, but I have never seen one with soldiers wearing helmets with the black and blue steel exposed.

After six weeks of battle we were filthy. I wore a blanket I had turned into a poncho by slitting a hole with my bayonet. If I had to move faster the blanket was removed. We wore two or three undershirts, a wool sweater, two shirts and a combat jacket. In time I smelled offensively. I tried not to notice myself.

Once out of combat we were trucked to the showers and soaped down thirty at a time. Clean clothing was issued, but not new helmets. They were black and blue pots of honor, not to be repainted. Blue badges of courage.

We washed up in a small mining town in Holland named Heerlen. Before the war the owners had installed shower heads in an open gallery for the miners. We were permitted only three minutes under the hot water.

I was billeted in a Dutch home, supposedly for a single night that stretched two weeks. Mother, father, and an ill, emaciated four-year-old boy were my hosts. There was almost nothing in the kitchen.

Heerlen is in the province of Limburg, pinched off by Germany on one side and Belgium on the other. The food supply was meager and the family was hungry. The next day American cooks set up a chow line for our troops. The servers slopped food into our mess kits and I carried refills back to the family.

It wasn’t enough food for three.

I didn’t know the mess sergeant who managed the food supplies, but I knew rear echelon soldiers liked battle souvenirs. I had picked up a German Walther P38 in bad shape and I offered it to the man in charge.

I said, “I need food for the family I’m staying with.”

He answered, “I never look at the ration boxes behind the tent until after breakfast. Nobody is counting. Get there before breakfast. Don’t be there when the chow line is moving. I don’t know you. And do you have some cartridges for the gun?”

In the mid-afternoon of the second day I stole two cases of ten-in-one rations. Ten separate containers of food were in each box. I brought them to the kitchen. I did the same for three or four days.

I persuaded a non-com medic to see the sick boy. He gave him pills to stop the diarrhea and put a bandage on a bad knee.

The father and mother were grateful. Too much so, it turned out.

I lived in a bedroom on the first floor, across from the kitchen. The husband and wife and child slept upstairs.

I think they talked things over before he did it.

I arrived one afternoon with another food bundle and put it on the table. The door was open to my bedroom, and I started for it. The husband made a sound, and I turned around. He looked at his wife, and then gestured her toward my bedroom. That’s how grateful they were. He offered her to me.

It was embarrassing for all. She was pretty and I was deprived. But I couldn’t do it. I shook my head and smiled myself away.

The father felt a sense of obligation. His problem was thankfulness.

I had to find some way to relieve their gratitude.

The next day the husband and I went to a local billiard hall. I learned billiards (not pool) at the Student Union at the University of Wisconsin. I wasn’t very good, but the nicest part was teaching Margie Ann and her friends how to hold a cue properly. I stood behind them and coached them from the rear. That’s the only way you can illustrate how to have a proper bridge in the left hand, while balancing the cue in the right. Snuggling girls is what I like most about straight-line billiards.

The pool hall in Heerlen had just two tables, covered in worn green baize. It must have been a favorite place for the husband, the out-of-work miner. I could see he was a better player than I.

I was inept. He was excellent but had to hide his skill. He wanted to throw the games. I pretended not to notice. It took some time before I was able to beat him. We played another game, and I beat him again. I bought two beers and we left. The debt of gratitude he owed me was partially paid.

I left for Germany two days later. The parting was formal. He shook my hand. I shook the hand of the boy. I shook the limp hand of the wife. Her eyes looked away.

 

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Shop area, Heerlen, 1945; WWII Tracings, Sharing the Stories of the Men of the 111th Ordnance Company (MM); https://wwiitracings.wordpress.com/2013/09/24/a-cold-winter-in-heerlen-holland/

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Aug 222016
 
Omar Bradley, 1945

Omar Bradley, 1945

Seven years after the war ended, I met General Omar Bradley at a cocktail party. He had been the Commanding General of the Twelfth Army Corps and he had ordered the attack.

I had studied the war for a number of years. Almost no popular history was written about the November campaign north of Geilenkirchen and the Hürtgen Forest. Seventy thousand men were killed, wounded, or were missing in an action that has never made popular history.

I asked General Bradley why the battle had been fought. He said, “There wasn’t any military reason for the battle. Strategically, it meant nothing. But Stalin asked Roosevelt to put on the pressure so the Russian Army could have some relief. I was against it, but Ike pushed it.”

That’s what the general told me. I had trained with some of the seventy thousand. Fort-five thousand casualties had been caused by trench foot.  We did not have proper winter boots because Bradley had given priority to ammunition and gasoline, instead of the winter clothing we needed. I have two frostbitten toes, and Shad Northshield was evacuated with trench foot.

Other casualties: Lieutenant Mercer Yeager, S/Sgt Curran Begnaud, PFC David T. Powell, Pvts Jack Reynolds and Ben Levin. All dead.

Ben Levin was caught in a minefield after dark. We heard the blast of the anti-personnel mine, designed to blow its steel at testicle level. We heard his screams but we were not to go to him until the minefield was cleared. Anyone who moved forward might trip another mine.

We heard Ben yell for a medic.

He had been with me on the train to the embarkation dock in New Jersey and we had sung that silly song that got me out of the front lines. Levin never became the master of ceremonies he hoped to be. His patter included changing words in the sentimental tunes popular at the time.

I’ll be seeing you in all the old familiar places,” became I’ll be obscening you in all the old familiar places.

He mutated the opening of “One O’clock Jump” to: Open your legs, you’re breaking my glasses. I’ve got my face just where your ass is.”

He took the tune, “I’ve got my eyes on you,” and changed it to: “I’ve got my thighs on you.”

Ben’s screams became weaker as time passed.

      Hitler has only got one ball,

      Goering has two, but small,

      Himmler is somewhat similar,

      but Goebbels has no balls at all!

After a time Levin made no sound at all. Graves Registration must have picked him up two days after he was killed.

I suppose my face changed when General Bradley told me what his orders had been. I must have reacted. He explained.

“War is just the extension of National Policy,” Omar said.

Bradley’s biographers call him the soldier’s general.

The soldier’s general did not give us waterproof shoes.

 

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Bradley, Omar. Photograph. Britannica Online for Kids.  Aug. 15, 2016.

Song

“I’ve Got My Eyes on You (1939 song)” by Cole Porter

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Aug 152016
 
Henry Kissinger in 1945

Henry Kissinger, 1945

I met Hyman Lipsky in an abandoned chicken coop outside a chateau near Marche-en-Famenne, Belgium on December 24, l944. Hyman and I had been part of an OPL, an outpost line before a MLR, a main line of resistance. Some tanks from the 116th Panzer Grenadier Division had overrun the two of us. The Germans came out of their vehicles and began cooking. We should have pulled out when we heard the rumbling, but they came too fast. Lipsky was first to hide in the chicken coop and I followed.

Lipsky and I held a short theological conference.

Here was the military problem: we could sit in the chicken coop until dark, about two hours away, and then scramble out. Or we could panic now and flee.

Here was the theological problem: both Hy and I wore dog tags with our name, serial numbers and our religion punched into them. According to the military, our faith was H for Hebrew. I never was observant but for me, only scholars and the anti-Semites used the word Hebrew. Jews called each other Jews; maybe “hebes” once in a while. But only in Temple had I heard Hebrew. Nobody minded yid provided another yid said it. I wished I could speak Yiddish, my mother’s second language, but my born-in-America father wanted us to be Yankees. “Bess, no Yiddish in front of the boys,” he’d say.

Dog tags, two metal badges hung from the neck on a chain, were not only for identity, but also for funeral services. P was for Protestantism, C was for Catholicism, but everybody knew there was no Hebrew-ism. Why H? Why couldn’t the Armed forces of the United States give us a J? The military must have heard of Judaism.

A Gentile told me that if one Christian called another a Jew, he meant it as an insult. Hebrew was more respectful. That’s why I didn’t want to be captured by the Germans. I knew exactly how they felt about H’s. To the Nazis all H’s were J’s.

“I’m leaving,” I told Hymen.

“They’ll see you,” he answered. “I’ll wait until dark.”

They didn’t see me. The ground was frozen and covered with snow. I slid on my belly, remembering the first rule of the enlisted infantry: “Move forward and keep a tight asshole.” No one shot at me and I returned to our lines and my sleeping quarters in a holding area inside a jail in Marche-en-Famenne. When I returned I reported the tanks; they seemed to know about them.

As far as I can remember, that’s where I saw Private Henry Kissinger. A lot of books acknowledge Dr. Kissinger as a member of the 84th Infantry Division, but as a private he had become the top aide to the officers of Military Intelligence.

The Army had sent Kissinger and me to specialized training colleges in Pennsylvania. Later we had both been assigned to the same infantry division. I met him on the train that brought us to Camp Claiborne before shipping out to Europe.

Here in the Bulge were pudgy private Perry and pudgy private Henry looking at some newly captured Germans. It was Henry who brilliantly questioned a captured German prisoner in that Belgian jail. I heard his German accent when he spoke English.

The interrogator usually had a cigar box which held various insignia ranks. Had a German Hauptman (Captain) been captured, the cigar box held the eagles of an American Colonel to put on his collar. “Always outrank the enemy by two grades,” was taught at Camp Ritchie Intelligence Training Camp. Kissinger, who wore no rank, pinned the double bars of a captain on his shirt because on that Christmas Day, the German prisoner was a private. When the soldier was brought to him, at first the interrogator paid no attention. Henry shuffled papers on his desk for perhaps fifteen seconds, and then, without looking up said in German, “Is that the way a German soldier stands in front of a SUPERIOR OFFICER!”

Thunk of heels. Chin in, stomach in, chest out.

“What is the War Machine coming to? Are you just the People’s Storm, or are you a genuine soldier? Where is your emergency food packet?”

A slap at a pocket.

“I don’t suppose you can read a map. We’re here; this is Marche, our unit headquarters. Where is your company?”

The soldier pointed to the enemy position I had fled. They took him away. The interrogator put his captain’s bars in the cigar box and became a private once more. Somebody telephoned the nearby British artillery.

Two very cold days passed. Headquarters wanted to know if the tanks were still near the chicken coop. We went into the valley again and up the hill toward the chateau and the chicken coop. A German fighting force was not there. We drew no fire.

Our artillery had fired large shells. Some had burst in the tree branches and rained shattered steel. I found a few dead German tankers. Their corpses were cold, and they died clutching themselves, their bodies in rolls like tight beaded commas. I found Lipsky. too.

In military films featuring artillery or mortar bursts, the special effects people often light a fireball and a body leaps out of it and falls to the ground. If there’s a close-up, you may see the victim with blood around him.

What they don’t show is that shrapnel can cut through a soldier and split him in two or more parts. The frozen human body looks like cut sides of beeves hanging in a slaughterhouse. Hanging on a bush I saw what must have been a loop of human intestines.

Hyman had been sliced straight down through the neck to his crotch—two iced bloody sides of him with his insides showing. I couldn’t find his right arm. What was left of his face was yellow white. Allied artillery had killed him; artillery confirmed by the interrogator.

My co-religionist dog tags were on the ground. I found one and put it in his clenched mouth. The Graves Registration Detail would be sure to see the “H”, and he’d have an “H” service.

A few years later in New York I rode in a taxi driven by an old man named Nathan Lipsky. I didn’t ask if he knew Hyman. I never again saw Kissinger as a soldier.

 

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Henry Kissinger 1945, stadtrand-nachrichten.de

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Aug 082016
 
John Robas

John Robas

The man who fired the BAR and saved me was John Stoddard Robas. He was slim, apple-cheeked, quick, and had only one eye. When we were sent to the 334th Infantry Regiment to become combat soldiers we were told it would only be a matter of time before he and I would be transferred. The Company Commander never took us seriously and John and I never took basic training seriously. I was a myopic miscast as a rifleman; he was a half-blind misfit carrying a Browning automatic rifle.  The BAR was designed as a two man sub-machine gun, but the Company Commander was so sure Robas was a misfit that he never gave John a partner.  I was called the other misfit or the nearsighted goldbrick.

In Louisiana, John and I had combat instruction only on Tuesdays and Thursdays. On Mondays, Wednesdays, and Fridays, we broadcast a radio program from KALB, Alexandria: Fatigues and Leggings. KALB was a few miles from Camp Claiborne but far enough removed that we missed garbage details and some tedious, strenuous hikes. We both found girl friends who were announcers at the radio station.

“Muff” Ayres announced in a southern accent when she broadcast, but otherwise she was unaccented, beautiful and literate. She helped me forget the girl at Wisconsin who said she would never forget me, but who quickly forgot to write.  “Muff” and I got along well, but I never knew whether the kisses we exchanged were lip-synced southern hospitality or more than a moment in a magnolia scented evening. She did invite me to her very rich home and introduced me to a father who tolerated my watered-down Marxism, and my earnest civil rights innuendoes. Miss Ayres became a famous southern writer, “Ellen Douglas” and while I laid a hand on her, that’s as far as it went.

John Robas went farther and farther with the other lady announcer. He counseled patience.

“It will happen, Perry. I can see it will happen. Despite her genteel southern accent, her body language is yelling.”

When it didn’t happen, he said, “I was sure you’d bed her. I owe you one.”

He paid me back—and later I paid him back. But that’s getting ahead of the story.

We were suddenly quarantined. No phone calls, no goodbyes. I wrote “Muff” and she wrote me a letter I received during the Battle of the Bulge. By then she was married, and had a stomach ache that later turned out to be a son.

John Robas and I remained foot soldiers. Our division was shipped to England, and then to Europe.  On the boat coming over the Regimental Commanding Colonel lectured us.

“We are a well-trained fighting outfit. I can’t say who will be hurt in combat, but those of you who are best trained, the odds are on your side. Those who are poorly trained had better get lucky.”

As if the enemy’s artillery could make the distinction.

The twelve day crossing was cramped and boring. Half the time we were above decks rolling in seasickness, and the other half we were below in smelly cots and slings, three men atop each other. I found our ship had quarters for prisoners. On this trip the cells were empty and gave us more room and fewer odors than our assigned quarters. We slung our bed packs into the cells and John sat on the toilet playing his guitar for two comrades, Ralph Loeff and Benjamin Levin. Ben had aspirations to be a night club comedian and we made up a skit based on the inherent hostility between enlisted ranks and the officer class. Ben choreographed a chorus line for the three of us, and Robas improvised a tune.

It is strange that in all the movies I have seen about World War II, the class warfare between enlisted men and commissioned officers is almost never mentioned. Germans and Japanese did not incite dislike as rabid as that between ranks. Here we were: eating standing, sleeping so close together that our farts could be smelled three sleeping bags away, and there they were dining with tablecloths and napkins—being served at tables.

We college boys improvised a song and dance citing our dislike of our rulers.

          A golden bar, a shiny bar, a semi-private jeep!

          A separate mess, and wouldn’tcha guess,

          Sheets in which to sleep!

I forget the rest of the doggerel. The GI’s were amused. By chance the officer in charge of Special Services thought it might entertain the brass, and asked us to sing and dance at the officers’ mess. We recruited three more privates to the chorus line, and did the ditty for the brass, who, being predominantly civilians in uniforms took our griping in good cheer.

          War’s disaster

          For a Quartermaster

         Doesn’t seem too great.

Those few minutes of enjoyment saved my life in World War II. The officer in charge of Special Services needed one more man in his Table of Organization, and I was temporarily assigned to him. It meant in part getting two bottle of whiskey to each officer once a month (enlisted men received no free alcohol, rationed or not rationed). Along with offloading booze from cargo trucks driven by black service troops, I was appointed Regimental Historian. I was to compile reports from the battlefield, write them up, and send them to the Division Historian.  I took the assignment seriously. At the time nobody else did. Because Lieutenant Redfield needed only one man. Loeff, Levin, and Robas remained in the rifle company.

The 334th Infantry went into battle early in November 1944. One week later, one third of its soldiers and officers were casualties. In the first advance, lasting two days, 55 men were killed, wounded, or missing. James Grey, a professional boxer, the man who had replaced me, was killed on the first day. That would have been me. John Robas and his Browning survived the first advance. I don’t know what happened to Loeff, but Levin was killed a few weeks later. The Company Commander was so inept, he was replaced and assigned to the Graves Registration Unit. He commanded the detail that picked up and wrapped the dead in mattress covers.

While they fought, I guarded the duffel bags containing the officers’ personal effects, and I prepared to write the regiment’s history. In my first days as regimental historian I found something had gone terribly wrong north of Geilenkirchen. The officers who were responsible to see that our regiment connected properly with the unit on our right had not gone to the front lines to see that had taken place. They should have verified our right flank, but instead there was a gap, a salient, in our lines. The approach road below was exposed to enemy fire. None of the reports they sent and I read noted anything about the mistake. The Germans had infiltrated and taken high ground looking down on us, into our foxholes. That was one of the reasons the regiment had taken so many casualties.

Robas saw it happen and told me about it. John’s word was as good as the official statements. I wrote the error into the report: We were flanked and exposed to German small arms, artillery and mortars. Robas told me the story and added: “’Wolff, I’ve had too much. Maybe a self-inflicted wound. Maybe I’ll run away.”

My report went forward and I heard nothing more until the Division was pulled out of the lines. Lieutenant Redfield appeared.

“They want you to change the report,” he said.

“How, sir?”

“Re-file, and get rid of that stuff about mistakes. Drop the section on the casualties.”

“Sir, that’s what happened. I went to the aid stations, and I went over the ground myself.”

“I want it edited.”

I said, “Sir, this report has to go forward over your name. The Regulation requires the signature of a commissioned officer and I am not an officer. You are.”

We hung. A deal could be made.

“Wolff, what do you want?”

“I want John Robas sent to a rear echelon job.”

“I can transfer him to a job as a Military Policeman.”

“I appreciate that, sir. And I’ll edit the report.”

So much for accuracy and honest journalism. I edited out the officers’ errors. I violated journalistic principles to save the life of a friend. I had no pangs, then or since. Until the Battle of the Bulge my friend John Stoddard Robas was safe, as I was. I wrote a fable to save my friend. As Napoleon Bonaparte surmised, “What is history but a fable agreed upon?”

Years later I searched the official history of the division. The story of the gap had been left out. The losses to the enemy artillery were emphasized. The fable had been written and frozen into the official after-battle record, and I had helped write it.

I saw John once in the Battle of the Bulge and twice after the war. He flew bananas from the Caribbean. He and his wife came to New York for a visit. Then we lost touch. War had brought us together but peace separated us.

 

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John Robas, p. 199, Fortune Favored the Brave, A History of the 334th Infantry 84th Division, by Cpl. Perry S. Wolff,  Mannheim Press, 1945

 

 

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Aug 012016
 
High Ground North of Geilenkirchen

High Ground North of Geilenkirchen

Five months after D-day, both sides were exhausted. The Germans retreated from France to prepared positions inside the Siegfried Line. The Americans and British waited for supplies. The lines were fixed. November 1944 was a battle with echoes of World War 1. We huddled in holes in the ground to escape machine gun fire from concrete bunkers, and heavy artillery barrages.

Several miles behind the front, high-powered searchlights banked their beams into low clouds. The reflected light spread for miles through the night sky. Men and vehicles moved as shadows in the haze. At times a brilliant flare would fly up, explode; hang like a tiny sun battling midnight, and all action would freeze. In a minute or so the flare collapsed into darkness. The pupils of my eyes reopened and adjusted to the thin light. The explosion, which had brought fear, could not sustain it.

There was time to think of what had been left behind. Fear surrendered to petulance, petulance dissolved to remembrance, and remembrance cascaded into speculation.

Until the next flare, until the next artillery barrage.

There are differences between terror, fear and panic. Terror explodes with the first explosion. Terror cannot be dealt with.  Fear comes when terror is localized— rifle or sub-machine fire. Those sources are near and something can be done.

Panic builds. Artillery fire, coming from so far so suddenly and so long. The explosions are consistently, persistently near. Nothing can be done, but dig a hole in the ground for protection. In World War I prolonged panic was called “shell shock.” In World War II “battle fatigue.” In Vietnam “post-traumatic stress disorder.”

Though the artillery fire was heavy, one search-lit night the engineers crawled forward with mine detectors. They left a cleared area, a tape corridor wide enough for a sniper to crawl through before the attack in force began. I entered combat crawling on my mud soaked belly.

There were some fourteen million uniformed Americans behind me. Not one in front of me.

An exposed machine gunner had to be careful. If he were in a bunker he could fire a heavy water-cooled machine gun in long bursts. But after the Americans breached the concrete defenses of the Siegfried Line, the German machine gunners were in the open with sub-machine guns. That’s why they fired short bursts. Long ones would reveal their position.

I became exposed. As part of the 334th Infantry Regiment, I was inside the Geilenkirchen salient, in a field northeast of the town of Geilenkirchen, when a German machine gunner saw me. He shot and missed. I dropped behind a small rise onto the wet cold ground. What I had to do was roll over on my shoulder and release an entrenching shovel hooked to my back cartridge belt. If I could dig, I could increase the height of the sheltering mound.

I tried to move.

As I turned, my left shoulder rose above the small rise. The gunner fired and missed. The bullets hit the ground and ricocheted above me. I felt the splatter and heard the whine.

Face down again. He fired again.

I waited a few minutes and tried once more. I lifted my shoulder and twisted for the shovel. The mud splattered. It started about ten in the morning. Now and then he shot just to show he was there. I was on the cold and wet ground for some two hours. I thought I would die. So I talked to God, whom I had neglected for many years.

Because I thought I would die in combat, I wanted to be connected to Infinity. Lying on the ground, becoming more certain of death, I tried to negotiate with the Cosmos. I was 23 and a virgin. I didn’t think masturbation was on the Universe’s agenda of sexual sin.

I had disagreed with my father on the marriage he wanted for me. Abe Wolff worked for Reich Dress, and his friend Yitzhak had a daughter in Manley Frocks. I had said no. “If I ever get out,” I told the Universe, “I will marry whomever my father chooses.”

I never thought you could make a deal with God. My father was a salesman who liked negotiating, but I never liked seeing him do it.  The Universe does not wrangle. But I tried: “Infinity, I will go to medical school as my mother wants, and give up literature. Do something for me, please.”

Our machine guns had triggers. If they were thumbed quickly, a minimum of bullets could be fired. About four …tock..tock..tock..tock. I think the German guns worked that way. His sub-machine machine gun went tock..tock. Only two. I heard only two tocks, instead of four. Maybe the German gun had jammed.

I tried to run before he cleared the feed. I dragged my left foot, which seemed paralyzed and I found shelter among the vegetables.

The German farmers had dug up sugar beets before the battle. Large harvested mounds lay in elongated piles across the fields. The heaps were about three feet high and three feet at the bottom of their extended pyramids. I rolled into their protection, belly down. A few minutes later a very long burst, which was absorbed totally by the vegetables. I was safe.

He should not have fired that long burst. He had given away his exposed position. A Browning automatic rifle on my right answered him immediately. A BAR was not a machine gun. It was an inelegant weapon that weighed a lot but not as much as a machine gun. It did its job. He did not fire again. He had given away his position. He had been killed by my friend.

I crawled until it was safe to stand and hobble away.

 

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“High Ground North at Geilenkirchen,” p. 38, Fortune Favored the Brave, A History of the 334th Infantry 84th Division, by Cpl. Perry S. Wolff,  Mannheim Press, 1945

 

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Jul 272016
 

cloud nineI was the Chief Musical Producer at WBBM from 1948 – 1950. The musicians union required that WBBM keep forty full-time musicians on staff. Because I could read an abbreviated score, I became a pet of the musical conductor, Caesar Petrillo, brother of James Petrillo, the head of the American Federation of Musicians. Caesar had been a former trombone player in a circus orchestra and he favored large brass sections. The house orchestrations were written for seven brass and only eight string instruments. The bows were overwhelmed in tutti passages.

I hung a microphone in the middle of the string section and had the outnumbered players sit close together. By reading an abbreviated score I saw when the brass section was about to enter. I directed the engineer to close down all other microphones and boost the one above the strings.

The music played were the standard pop tunes of the time. Petrillo enjoyed slow, romantic music. At one rehearsal he spoke about the phone calls he received from married friends who had sex the night before while the house orchestra played, “I’ve Got You Under My Skin.

Caesar, like his namesake, loved splendor. Grandiosity meant milking the tempo, slowing down the downbeat.

The first violin, Fritz Siegel, later concertmaster under Eugene Ormandy, was annoyed. Fritz told me to watch my cues because he had decided to take the tempos not from the conductor’s baton, but from his elbow. Caesar’s elbow came down before the tip of his stick. You can do it. Put a pencil in your hand and do a downbeat. You’ll see the elbow falls before the pencil hits bottom. Fritz told me he got the idea from the Boston Symphony Orchestra when Serge Koussevitzky slowed the tempo. The BSO took its cue at the point when his baton passed the middle button on his coat, instead of the bottom button.

While I was appreciated as a producer, not much was said about my talent as a musician. Once, when I supposed no one was around, I went to the keyboard of a Steinway Grand, double the length we had at home, and played “Tea for Two” cross handed, and slid into my version of the blues. A saxophonist and a viola player listened. I overheard their conversation.

“Do you think this kind of music will ever come back?”

A pause.

“This kind of music was never here.”

“It will never get here, either.”

My more positive contribution was to add narration between songs. The standard continuity for Music for You was, “The orchestra now asks the musical question, ‘Who?’”

The house tenor then sang “Who Stole my Heart Away” and the house almost-soprano (and mistress of the sales manager) would take the next eight bars, “No one but you, that’s who.”

I received permission to rewrite the scripts. I re-titled Music for You as Cloud Nine and I gave it the following plot—the same plot, week after week.

A door opens. Sound effect of a man seating himself and asking for “one of the usual—no make it a double”.

The sound man pours something liquid. A flute glissando slides up and up and is dissolved into a chorale stolen from Debussy. In awe, the tenor says,  “We’re in Spain! And that senorita is beautiful!”

Then he sings:

     Lady of Spain, I adore you

     Why should my lips be concealing

     All that my eyes are revealing?

     Lady of Spain, I love you

For a half hour, ballads and show tunes with a slightly Spanish musical overtone. In the written copy, romance and seduction. Tenor and not-quite soprano get closer and closer to please Caesar and his friends, and yet stay within the bounds of mid-west norms of the period.  But just before they leap in bed to the last line of “Lady of Spain” — “Lady of Spain, I love you” — just before the line which might be considered coital contact, that same flute that slid up– now slides down. The sound effects man pours another shot, the tenor says no thanks, and there is no on-air consummation. She’s gone – until next week.

The following week, Cloud Nine went to France, then Argentina, then Russia. The tenor and the almost-soprano never got laid in any language. The series became a hit, particularly with college students. So much of a hit that Wrigley Chewing Gum sponsored the program.

To be honest, the romantic songs of the time touched me. Good popular music is like good popular fiction. It calls to the imagination. Radio at the time I worked in it, called to the imagination. But imagination – mine at least- calls up no specific pictures. I don’t see snow when I hear Vivaldi’s Four Seasons. I don’t see a face when I read about a character. I don’t see Emma’s face when I read Madame Bovary. I don’t see her hair, her breasts, her dress. Yet I feel for her. I weep for her. In the brain, imagination lies closest to emotion.

Television rarely calls to that deeper brain. That small screen is literal, factual. At its best, it teaches.

 

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Cloud Nine, American English Idioms, panama.usembassy.gov/aei09.html

 

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Jul 182016
 
I Like Ike

An Eisenhower supporter at the 1952 Republican Convention

1952 was the first year political conventions could be seen from coast to coast. The coaxial cable had crossed the continent and all the viewers in the country could watch the same picture at the same time cable channels were decades away, as was tape recordings. Live was live.

I was drafted to assist in the production of the conventions. There was some discussion of who would anchor the television broadcasts. The administrators of CBS News continued to think radio was still the primary source for important news and they would not give us Ed Murrow or any of Ed Murrow’s boys who were all first string war correspondents. A third stringer in Washington, Walter Cronkite, was available. The head of CBS News asked four of us if we approved of Cronkite. All four of us did, including me. When Walter later treated me badly, I choked back the urge to tell him that in part I had gotten him his anchor job. Four producers and the head of the news division had little choice, so Walter was chosen. He did his homework.

These were the last conventions in which the only part television played was as a spectator. There were some 15 cameras covering the convention floor. I sat at the side of Franklin Schaffner, the director who later made Patton and Papillion and who became the head of the Directors Guild. At the ’52 Republican Convention, Senator Joe McCarthy was a strong presence. Frank had one camera focused on the senator at all times. McCarthy picked his nose often. Every time he did, or looked grotesque, Frank had the technical director switch to that camera. Finally the technician complained.

Frank had a copy of the contract, which stated that the director alone called the shots. He waved it at the control panel.

McCarthy_1952RepublicanConvention

Joe McCarthy at the 1952 Republican Convention

“Union rules. You take the shot I call! Take 14!!”

McCarthy with a finger up his nose was shown to America.

After two picks I told Frank to stop.

For the first few days, the presence of TV was hardly noticed. The Republican Convention proceeded according to plan, and often their plans were late. I was directing the six or eight cameras inside and outside the stockyards hall while the supporter of General Douglas MacArthur prepared his entrance.

It was an interminable stage wait. I yelled to the cameramen. “Take pictures! Take pictures of anything.”

sternoThey did. Clouds, airplanes in the landing pattern at Midway. A delegate sleeping, his face hidden behind a newspaper, the curious intersections of telephone lines, and a streetcar rushing by. A homeless man, in tight close up. The sort of montage that in later years would be called video art. The montage included a delegate on the floor heating a hotdog on a portable Sterno can. The Speaker of the House saw my montage on a black and white monitor backstage.

Representative Joe Martin, at the dais, chided the delegates. “There are television cameras here. Neaten up!”

We had trouble spotting our correspondents on the floor of the International Auditorium, and I solved the problem. I bought a dozen or so flashlights so the cameramen in the balcony could find the reporter who was on the floor.

Early on, while having breakfast at a greasy spoon on South State Street I noticed the menu was made up of plastic letters punched into a fibrous wall hanging. My colleague Don Hewitt and I bought it and all the letters. We set it up in a studio and had a stagehand insert the names of the speakers and our correspondents. Then we superimposed the names. A portable graphic was invented.

I was directing when the critical scene happened—one that would never happen again in any political convention.  One party boss attacked another. Thomas Dewey had been the unsuccessful presidential candidate four years earlier. He led the charge to have the party leader Robert Taft declared the nominee.

Senator Everett Dirksen of Illinois wanted revenge. He pointed his finger directly at Dewey and said, “You led us down the road to defeat!”

The hall exploded.

No one has ever been that impolite in public to members of his party.

Television picked the nominee. The leaders of the Democratic party, due in the same hall in a few days immediately published instructions to their delegates to mind their dignity.

From then on the conventions were staged for TV.

Robert Taft buttonSenator Robert Taft of Ohio was a political conservative whose positions came to him by respected economists. According to party rules, he should have won because he had the majority of delegates pledged to him, but Dwight Eisenhower’s appearance on-screen caused a revolt among Republican voters.

Eisenhower knew little about economics but a great deal about war, and we were at war in Korea. His major appeal consisted of one sentence: “I shall go to Korea.” On camera he had a commanding and experienced look. There seemed to be both compassion and strength in his face. His face counted more to the electorate than his policies. Taft was cold; his natural face had an unfortunate built-in glumness. Victory was all important, and the rules of the convention could be discarded, if breaking the rules could win the November election. Ike could be elected: Taft, probably not. America liked Ike. On the second ballot, television made the general the candidate. He then went on to defeat Adlai Stevenson.

On Election Day, I was at Stevenson’s headquarters in Springfield, Illinois directing a pool of cameras. At about five o’clock in the afternoon, the bar was opened and a large buffet was spread for press and celebrities.

I had some technical bad news; the signal was going out by a complicated route and my pictures were arriving in New York before the audio.  Although everything was live, the lips were not synchronous with the words

Adlai Stevenson lost early in the day. At 6:00pm central standard time, a cameraman asked if he could have a bite and a drink. “They’re taking the food away and putting the corks back on the bottles. Even before the concession speech.”

The room was half empty when Governor Stevenson gave a short but witty concession speech: “A politician is a statesman who approaches every question with an open mouth.”

Ike_Mamie

Ike and Mamie at the Inaugural Ball, 1953

We closed down the mobile video truck before 9:00pm and headed back to New York.

Americans liked Ike far more than Adlai.

I directed one of the many balls on President Eisenhower’s Inaugural Day. I called the shots from a remote truck with three live cameras. Camera 2 was on a long lens covering a close up of Ike and Mamie dancing. Suddenly there was a “pouf!” at the back of the truck and I had lost Cameras 1 and 3. I was stuck with the close-up, and no way to cut away. I hung there for three minutes yelling for someone to go to another remote truck and another ball.

The next day the papers recorded “the sensitive camera work which allowed the world to see in soft focus the tenderness the President and his wife shared while dancing.”

 

Images

I Like Ike, 1952 Republican Convention

Senator Joe McCarthy, 1952 Republican Convention, AlternateHistory.com

Sterno Can, ebay.com

Robert Taft for President button

Robert Taft for President, AlternateHistory.com

Ike and Mamie Eisenhower, 1953 Inaugural Ball

 

 

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Jul 122016
 
Violinist Jascha Heifetz (at right in photo) felt one of his greatest performances ever was for a single U.S. soldier during World War II.

Violinist Jascha Heifetz (at right in photo) felt one of his greatest performances ever was for a single U.S. soldier during World War II.

Part of the orientation training for every new soldier was a viewing of the film Why We Fight. It showed the evil side of the enemy, the rape of Nanking, Stuka bombers over Spain, the Wehrmacht triumphing down the Champs Elysées. Those were the bad guys we were fighting.

Why We Fight ended with a quotation from Abraham Lincoln: “This world cannot exist half free and half slave.” Onscreen the graphic world split apart; half white, the other half black.

When the house lights came up, there were white soldiers in their section of the theater, the black GI’s in theirs.

We were fighting for freedom, but freedom was fuzzy. It was Mom and apple pie, and the mountains and the prairies. Jefferson and Washington…. but not too much Lincoln. At that time the American Army’s officer core was disproportionately Southern.

I saw Ingrid Bergman read from the script of her film Joan of Arc. I was at least fifty yards from her. Generals and commissioned ranks surrounded her within fifteen yards. We enlisted men were out of voice range.

Another boost to American morale came when we were so far behind the lines some officers wore neckties. The announcer said, “Within cannon range of the front lines, André Kostelanetz and Lily Pons bring you The Bell Song from Lakmé.  The eight-inch field pieces were probably firing ten miles ahead of the orchestra. I could not hear them.

What bothered many of us were the motion pictures on combat themes. There were many, many khaki clad soldiers on the back lots of the film studios doing heroic things. The question was, why weren’t John Wayne or Henry Fonda in real uniforms? The same for the hundreds of actors who played bit part soldiers. Most of them looked much fitter than I. And they got the girls. We didn’t.

One celebrity did help my morale. We were on the Elbe River in late April 1945 and I was in a foxhole on a reverse slope. The word was passed that a violinist was giving a show about a half-mile away. We crawled on our bellies, found a copse, stood up, and went to a nearby beer hall. The wallpaper had a large white oblong patch where either a photo of Hitler or a Nazi flag had been recently removed.

A baby grand piano had been off-loaded and placed on an improvised stage. A violinist, Jascha Heifitz, asked us what we would like to hear.

“Old Zip Coon! Turkey in the Straw!”

“No, not for combat troops,” Heifitz said. “Musical spinach.”

He played for almost an hour. Some of the Bach Violin Sonatas, an adaptation of one or two movements from The Brandenburg Concertos, and for fun The Hora Staccato, which Heifitz had co-written.

Civilization surrounded me.

When it was over the piano was lifted back on the truck, and Mr. Heifitz, the pianist, and a lieutenant left in a covered jeep.

I crawled back to the riverbank and waited for the Russian Army to appear.

 

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Jascha Heifetz, PBS American Masters

 

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Jul 112016
 

Heifetz_Beethoven_violin_concerto

The Army needed engineers and after basic training I was sent to Lehigh University to study engineering. Lehigh University was a short ride from New York City and weekends were spent in Manhattan.

I spent Saturday afternoons listening to the New York Philharmonic under a new young conductor, Leonard Bernstein. Evenings were at jazz joints: The Village Gate and uptown on 52d Street where Roy Eldridge was debuting.

My family had implanted music as a necessity.

Once back at Lehigh I cut classes and went to the record collection. I wasn’t sure I would survive the war. I wanted my dead brain stuffed with the best music I could find.

I learned seven Beethoven and four Brahms symphonies. I also memorized the Beethoven Violin Concerto with Jascha Heifitz as violinist. At the time the records turned at seventy-eight revolutions per minute. There were perhaps six minutes on each side.  What I learned, and didn’t know I had learned, was the exact time a record would stop, drop, and be replaced.

On one of my weekends in New York I saw that Albert Spalding, the renowned violinist, would play the Beethoven Concerto at Carnegie Hall.

I bought a ticket. There would be no pause in the music, no clank as the records dropped. I should have heard the violin concerto in concert glory, instead of the scratchy records that dropped in the Lehigh listening room. It should have been wonderful.

Except that Albert Spalding, tall, slim, grey and elegant in a full dress suit, was a dud.

The tempi were off, his arpeggios and cadenza were inelegant, and I went back to Lehigh and the 78 records, drop noise and all. Heifitz interrupted by clanks every three minutes was far more moving than Spalding, moving uninterrupted.

 

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Jascha Heifitz, Beethoven Violin Concerto in  D  Major  op 61, Off the Record

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Jun 292016
 
April 9, 1942: Major General Edward P. King Jr. discusses terms of surrender with Japanese officers

April 9, 1942: Major General Edward P. King Jr. discusses terms of surrender at Bataan with Japanese officers.

In April of 1942, on the way to a lecture on American history I stopped by the journalism building to read the Associated Press bulletins. Some 78,000 troops (66,000 Filipinos and 12,000 Americans) on Bataan had surrendered. There had never been an American surrender of such size. I was so filled with shame and tears that I volunteered to serve in the Army that very day. I would have to go anyway, and I thought it better to volunteer than be drafted.

There had been a few months between the attack on Pearl Harbor and my decision. It had be prompted by a few words from a professor who taught aesthetics, and introduced me to Santayana’s sonnets. Professor Taylor could have been a tennis pro, as well as a scholar. He taught me a two handed backhand in exchange for my chalking the tennis courts. He called a meeting of some fifty or us who were wavering between academia and the military.

“Gentlemen,” he said, “I have some advice for you. Shit or get off the pot.”

Harold Taylor made me a soldier. My patriotism was mixed with my fading Marxism. I had never been among the working class until I was a lowly, lonely enlistee in the Army. The proletariat is crude: a fact not always recognized by the Marxists.

I was disturbed the first day at Camp Grant. My blood pressure measured so high the medics refused to accept me as a soldier. I was asked to come back the next day before a uniform could be issued.

In the barracks my proletarian inductees suggested I work for a discharge by drinking stimulants such as ketchup or booze. I was advised to masturbate but stop before orgasm. Anything to keep the blood pressure up and escape service. Unfortunately, the next morning my vitals were satisfactory. I was issued uniforms and shipped to Fort Eustis, Virginia for twelve weeks for basic training in anti-aircraft skills. Sometime later I had to endure a second basic training for the infantry. Camp Claiborne, near the swamps of Louisiana.

I wrote a sonnet in the five-beat meter George Santayana used:

FOR MY OUTFIT

This is a thin, discordant counterpoint
To oratory and the martial strain,
A marching file is weaving out of joint
And greasy clouds are spilling steady rain
On rifles pointed down, on standards cased,
On hopes of home that lie in muted throats
As tenuous ideals become erased
By swamps and fascists wearing khaki coats.

We are the tutored mob, the infantry
Redeemers of some words we vaguely know,
Who soon shall find the sharp philosophy;
That moment when a whistle’s final blow
Shall signal the deploy and we disperse
Alone and tangent to the universe.

 

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Major General Edward P. King, US Army in World War II, The Fall of the Philippines, by Louis Morton, ibiblio.org/hyperwar/USA/USA-P-PI/USA-P-PI-26.html

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